Address:
Paragraph Gallery
23 E. 12th St.
Kansas City, MO 64108
Get Directions |
Fri, Jan 20 - Sat, Mar 3 2012 Notes:
Black Thorns in the White Cube is an original exhibition presenting a selection of photography, prints, drawings, and artist books by eight contemporary artists who are influenced by the heavy, dark, and mystic obscurity of Black Metal music. Following its debut in Kansas City, January 20-March 3, 2012, the show will travel to Western Exhibition in Chicago, IL.
Opening Reception: Friday, January 20, 6-9pm
Curator Talk: Saturday, January 21, 4pm (additional programs and events to be announced)
Location: Paragraph Gallery / 23 East 12th St KCMO 64105
Exhibition Runs: January 20 – March 3
Gallery Hours: Wed, Fri, Sat 12-5pm; Thurs 11-6pm
Based in the United States and Europe participating artists include Alexander Binder (Stuttgart, Germany), Vincent Como (Brooklyn), Terence Hannum (Baltimore), Karlynn Holland (Brooklyn), Elodie Lesourd (Paris, France), Aaron Metté (Brooklyn), Grant Willing (Brooklyn), and Tereza Zelenkova (London, England). Engaging with the symbols, history, and myths of the Black Metal music subculture, their images explore haunted Germanic forests, descents into the void, visual translations of sonic experiences, ontologies of Black Metal band logos, and barren western landscapes. Together their artwork contributes to the discourse currently occurring in Black Metal theory, examines the innovations and significance of contemporary Black Metal visual art, and offers an account of its critical disruptions.
About the Curator:
Amelia Ishmael is an artist whose practice includes critiquing, historicising, teaching, and curating other artists’ practices. She has shared her gleanings on Black Metal and Contemporary Art at conferences internationally, including the Black Metal Theory Symposium in London and the Home of Metal Conference in Wolverhampton, U.K. Her writings have also appeared in ArtSlant, Art Papers, and Review. She received a BFA in Photography and New Media from the Kansas City Art Institute and a MA in Modern Art History, Theory, and Criticism from the School of the Art Institute of Chicago, and was an Urban Culture Project studio resident. |
Address:
Hopkins Plaza
S. Charles St. & W. Baltimore
Baltimore, MD 21201
Get Directions |
Thu, Jan 26 - Sun, Feb 26 2012 Notes:
The opening reception of a new contemporary art exhibition, Moving Right Along will feature the artists and innovators behind this exciting initiative. Interactive art installations are on exhibit inside Penn Station and outside at both Center Plaza and Hopkins Plaza in Downtown, activating public space and encouraging public participating in an exhibit produced by The Contemporary Museum and Downtown Partnership of Baltimore.
Join us for the two-part opening reception that will include artist talks by featured artists Josh Van Horne, Terence Hannum, Bobby English Jr., free hot drinks and giveaways.
Center Plaza reception, 5-7pm. Penn Station reception, 6-8pm. |
Address:
Western Exhibitions
119 Peoria
Chicago, IL 60607
Get Directions |
Fri, Mar 16 - Sat, Apr 14 2012 Notes:
Black Thorns in the White Cube is an original exhibition presenting a selection of photography, prints, drawings, and artist books by eight contemporary artists who are influenced by the heavy, dark, and mystic obscurity of Black Metal music. Following its debut in Kansas City, January 20-March 3, 2012, the show will travel to Western Exhibition in Chicago, IL.
Based in the United States and Europe participating artists include Alexander Binder (Stuttgart, Germany), Vincent Como (Brooklyn), Terence Hannum (Baltimore), Karlynn Holland (Brooklyn), Elodie Lesourd (Paris, France), Aaron Metté (Brooklyn), Grant Willing (Brooklyn), and Tereza Zelenkova (London, England). Engaging with the symbols, history, and myths of the Black Metal music subculture, their images explore haunted Germanic forests, descents into the void, visual translations of sonic experiences, ontologies of Black Metal band logos, and barren western landscapes. Together their artwork contributes to the discourse currently occurring in Black Metal theory, examines the innovations and significance of contemporary Black Metal visual art, and offers an account of its critical disruptions.
About the Curator:
Amelia Ishmael is an artist whose practice includes critiquing, historicising, teaching, and curating other artists’ practices. She has shared her gleanings on Black Metal and Contemporary Art at conferences internationally, including the Black Metal Theory Symposium in London and the Home of Metal Conference in Wolverhampton, U.K. Her writings have also appeared in ArtSlant, Art Papers, and Review. She received a BFA in Photography and New Media from the Kansas City Art Institute and a MA in Modern Art History, Theory, and Criticism from the School of the Art Institute of Chicago, and was an Urban Culture Project studio resident. |
