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"I have long felt a lineage for Keyser connected with the formlessness of artists associated with Art Informel like Alberto Burri or even the reductive interests of the Supports/Surfaces movement from France in the late 1960s. In Keyser’s work the material constantly admits its lowly origin as a found object, as trash or detritus, but then goes through a handful of adjustments or accretions of paint, plaster, gesso. It mutates by way of disassembly and reassembly." Read more HERE